![]() ![]() I ll be getting a Demo model in March to test it (very excited). I am currently looking at the Canon DP-V3120. ![]() I am a bit confused about the HDMI signal. I just read about the Kona and it says on their site that it works with JPEG 2000? Is taht the only HDR codec taht is currently supported? HDR works in Premiere (internally) but there is no proper way to get an output over 100nits, because Blackmagic (I work on windows) did not receive any porper updates yet (Unfortunately I am using BM right now)? AJA however will give me a full HDR output in premiere? (I need 1000nits Specification from Broadcaster)? Just let me repeat what you said in my words and correct me if I am wrong. You answered all my questions and more, I did not expect to find this here, since I have been asking about this topic over a year ago and did not receive any answeres, so thank you very much! Thank you so much for this detailed reply. But they never tell us when such changes are coming. The Premiere developers are working on revamping the code to handle user choices for Rec.709, Rec.2020, and full HDR. Though screen uniformity ain't even close. set properly, it's the best Apple monitor for SDR work, nearly matching a Flanders or Eizo for overall levels. It can't maintain over 1,000:1 contrast with mixed material. It can handle bright scenes relatively ok, but dark segments lift horribly if any middling/brighter pixels are in a relatively large neighborhood. They are around $1800 each, but then, any actual grading monitor that can properly reference for HDR is still above $28,000.Īnd no, from all professional testing the new Mac XDR monitor isn't even close because of dimming/blooming issues. So for Mac, it's the io4k unit connected to the HDR monitor via HDMI, and set to pull the Premiere signal.įor PCs it's the AJA Kona 4/5 PCIe cards, again connected via HDMI to the monitor. The only company responding is AJA so far, no BlackMagic gear has had the firmware altered to "see" Premiere. I'm not on Mac so I haven't tested that.įor full HDR, you have to get the signal out of the OS, and they put the "calls" out for that over a year ago. They just quietly added an option in Preferences to enable extended range monitoring which on a Mac supposedly allows resetting monitors such that you can work with "extended range" media, maybe as high as 500 nits. The problem is no internal monitors work properly with media above 105 nits or so. Set the scopes panel to Rec.2020 and in the Lumetri panel, turn on the HDR setting. Premiere can work just fine with Rec.2020 as-is internally. Spent several hours on the phone, screen sharing, and in person with then-color engineer Francis Crossman. I dove into Premiere's full color management ingesting through export last year for a presentation I gave in the Flanders/Mixinglight booth at NAB, and a pair of tutorials on. This isn't a forum where team members routinely visit or post, it's primarily user to user with some oversight by support staff. ![]()
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